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Somali Prime Minister talks to the BBC

This afternoon the Prime Minister of Somalia, Omar Sharmarke, visited Bush House and was interviewed by the BBC’s Somali service. Together with a couple of colleagues I recorded the interview for both radio and online.

The questions were selected from emails sent by listeners of the BBC’s broadcasts in Somali and the audio made it to the service’s early evening programme within an hour or so.

Somali Prime Minister video at BBCSomali.com

Watch video of the Somali Prime Minister at BBCSomali.com

I was pleased that my plan worked without too many changes. This was a fairly last minute booking and I was happy that my order of CTB filters arrived just in time. (CTB’s the coloured cellophane used to change warm incandescent lights into something similar daylight. This way our guest mixes well with the cold October light of the Aldwych behind.)

My lighting plan for shoot of Somali Prime Minister at Bush House

My lighting plan for shoot of Somali Prime Minister at Bush House

You can watch and listen to the interview in Somali here or read a report in English.

CNN rearranges the furniture

The new look CNN.com went live a few hours ago. The launch was carefully planned with previews appearing over the last week on several sites including Media Guardian.

CNN say the new design places greater emphasis on story telling and video. They’ve certainly gone for that as the central splash is dedicated to a feature video while breaking news and headlines are found in the left hand column.

CNN Health

CNN Health article design

It’s a bold move to lead with a feature video but I expect that’ll change when big stories break. But CNN’s a TV broadcaster where are the links to live streams?

Talking of TV, I find it puzzling that this change is out of step with CNN’s on air graphics.

The new site has much more in common with CNN International’s superb TV brand of the last 3 years which was designed by London agency Brand 42.

Previous CNN on-air design

It was modern, clean, angular, flat and unshaded. It was agreeably spaced and used Helvetica. Unfortunately it’s been dumped in favour of horrible American-style idents which are at best 3D, shiny and wooshy, at worst garish and tiring.

Apart from the colour, I much prefer the previous header which lives on atop international feature pages such as this one for CNN Business Traveller.

CNN Business Traveller page with old style header

Business Traveller with old-style header

I find navigation is much clearer on this old header thanks to a well designed grid of links. There’s also clear links on the right to TV, video, iReport and mobile services.

In the new design the link to iReport, CNN’s site for user-generated content, is still there but almost impossible to find. The TV link’s been relegated to the footer which is a very strange decision if you think about what CNN’s known for.

However there are a few improvements on the site. The article pages are pleasently spaced and switching between the interantional and US edition is much easier than before.

There’s a nice interface trick to help navigate a video; as the user scrubs along the progress bar the time is displayed in huge digits. It’s neat but as I’m unlikely to be searching for a precise second, how about flashing up subtitles, chapters or headlines?

Big numbers as the user scrubs through video

Big numbers as the user scrubs through video

There’s also a fairly slick page called NewsPulse. It uses AJAX to update the most popular stories as categories are changed on the left hand side. However it’s only available on the US version for some reason.

CNN Pulse

NewsPulse lists the most popular stories

The video player page is largely unchanged and remains far superior to that of the BBC. Whilst watching a video the user can build a playlist of what to view next from any category on the site. The player can also be embedded on blogs.

Overall I’m nonplussed. As far as I can see there’s no more video on the site than before. All that’s changed is the prominence of feature videos on the homepage. There’s much less emphasis on live news and almost no mention of the live TV channels. While the red header is bold, rearranging the links it contains has reduced its functionality.

James & John Civil Partnership

James & John Civil Partnership

Bush House Graffiti

Some rather wonderful graffiti appeared in Aldwych on Tuesday.

It appeared on a building site which is adjacent to BBC Bush House in London. The site was last occupied by Citi Bank but is now deserted – money to complete the Silken Hotel dried up about 8 months ago and nothing has moved since.

I took these photos as two workmen were busy painting over the images on Thursday. Unfortunately they’d already removed the poster which proclaimed “This is not graffiti”.

It upsets me that the firm behind the Silken Hotel can’t find the money to finish their hotel (and therefore rid Aldwych of its ugly scaffold and temporary pedestrian routes which flood in the rain) but can finance a couple of men to pounce upon this artwork within 48 hours.

Do you know which artist is responsible?

Review: It Felt Like A Kiss

By Peter Price
BBC News – Click to read this at bbc.co.uk/news

Documentary film-maker Adam Curtis has teamed up with theatre group Punchdrunk for his latest project It Felt Like A Kiss. The ‘walkthrough experience’ has taken over a disused five storey building in Manchester as part of the city’s International Festival.

The lift doors close. I’m trapped with three strangers and surrounded by 70’s elevator chic. We ascend in silence with the words of the show’s host ringing in our ears; those with a nervous disposition should think again.

It Felt Like A Kiss - Punchdrunk/Adam Curtis/BBC production in Manchester

Inside the mind of Adam Curtis. Photo: Punchdrunk

Breaking the spell, the girl next to me tells us her boyfriend saw this show the night before. In her words he’d returned home ’seriously freaked out’. The doors open, my heart quickens and we make our first tentative steps into the darkness.

Fans of Adam Curtis will instantly recognise the world he has created. Working together with theatre production company Punchdrunk, It Felt Like A Kiss occupies several floors of an abandoned office building in Manchester’s Spinningfields.

I’ve stepped through the screen and into a new Curtis film. Every sense is immersed in the experience. Navigating through this rich world of evidence, movie-goer becomes movie maker as we each find our own narrative.

Visitors are encouraged to scrutinise every prop in this unscripted thriller. There’s a lot to investigate and I become engrossed in books, photographs and letters.

Curtis is a documentary maker who has produced a series of highly acclaimed programmes for the BBC. His fascination with post-war Americana is present in this show, which treads the fine line between dream and nightmare.

At the heart of this adventure, if you can find it, is a film. It’s a fascinating and thought provoking riot of colour and music where the plot is stitched together with pictures and sound from the archives. It explores the links between a young CIA agent, a young Saddam Hussein and a young Doris Day.

Barely a week after the death of one of the world’s most famous entertainers, we delve into the lives of previous stars who hid their nightmares behind silver screen dreams.

The venue for this special screening is a film night in an American school gymnasium. This is very much a conventional Curtis documentary in a unconventional setting. With the senses on edge, it’s a chance to sit and catch my breath.

Just as the story is becoming clear, the dream turns sour and rushes away from me with alarming speed. Cacophonous music composed by Damon Albarn adds to the sense of chaos and disorientation.

The staging is deceptively simple. Old fashioned stage tricks of light and sound combine with the hi-tech of projectors and concealed cameras to subvert the mind.

Over the course of the action – nearly three hours – daylight becomes a distant memory. Just like Hollywood’s most scary creations, you know it’s make believe but under the spell of the director my common sense is disappearing fast.

Through it all I stay close to the girl from the lift. Although never exchanging names we’ve forged a friendship in the face of adversity. But then we lose each other and I’m alone and helpless in a vortex.

The mind is cruel as our camaraderie has fooled me into thinking of my fellow strangers as a lifeline. After all, no matter how hard I try, I’m not in control. And within an instant, instinct is all I have.

Cape Town

Cape Town

Johannesburg

Johannesburg

BBC Digital Planet at SxSW Interactive 2009

BBC Digital Planet at SxSW Interactive 2009

Skiing in Morzine

Skiing in Morzine

Oyster card hack details revealed

By Peter Price
BBC News – Click to read this at bbc.co.uk/news

Details of how to hack one of the world’s most popular smartcards have been published online.

The research by Professor Bart Jacobs and colleagues at Radboud University in Holland reveals a weakness in the widely used Mifare Classic RFID chip.

This is used in building entry systems and is embedded in the Oyster card used on London’s transport network. Publication of the research was delayed by legal action taken by the chip’s manufacturer.

"Oyster card hack details revealed" at BBC News

This article was adapted from my report for “Click” broadcast on the BBC News channel and BBC World News.

Prof Jacobs and his team first identified the vulnerability in a research paper that was due to be published in March 2008.

However, the release of the article was delayed after chip manufacturer NXP attempted to secure a court injunction against its publication.

The paper was finally released on Monday at the European Symposium on Research in Computer Security (Esorics) 2008 security conference held in Malaga, Spain.

Sensitive data stored on the Mifare Classic chip is protected by a unique number that acts as a key. When the chip, or a card bearing it, is placed near a reader it transmits and receives information based on its key. The security of the system depends on the key remaining secret.

In March Prof Jacobs and his colleagues discovered a flaw in the chip’s design which makes those keys easy to calculate and copy.

“Once we knew how the system worked and what the vulnerabilities were, it turned out to be very simple to actually clone cards, steal someone’s identity and enter a building as someone else”, he said.

After making the discovery the researchers informed the Dutch government and the chip’s manufacturer, NXP.

When it knew about the research NXP moved to delay publication by seeking an injunction.

Steve Owen, vice president of sales and marketing – identification at NXP Semiconductors, told the BBC’s Click programme that it was motivated to take legal action to give its customers time to update their systems.

“We sought the injunction to cause a delay, not to completely stop the publication,” he said.

Mr Owen recommends that the card alone should not be relied upon for secure access to buildings.

“We do not recommend the use of Mifare Classic for new installations,” said Mr Owen. “We are working with customers to review their security.”

Spot check

The Mifare Classic is widely used on many public transport systems including the Oyster card in London. The researchers say their security flaw can be used to copy cards. They claim to have even been able to adjust the amount of credit stored on a pre-pay card.

Earlier this year members of Prof Jacobs’s team visited London to test their findings, travelling on the London Underground using a modified Oyster card.

Shashi Verma, director of fares and ticketing at Transport For London, told the BBC its system spotted the security breach.

“We knew about it before we were informed by the students,” said Mr Verma

He stressed that the Mifare Classic chip in the Oyster card is only part of a larger system. “A number of forensic controls run within the back office systems which is something that customers and these students have no ability to touch.”

“We will carry on making improvements to the security of the Oyster system.”

Speaking in July, security expert Bruce Schneier said: “As bad as the damage is from publishing – and there probably will be some – the damage is much, much worse by not disclosing.”

Mr Schneier said it was a “dangerous assumption” to think that the researchers were the only ones that knew about weaknesses with Mifare.

“Assume organised crime knows about this, assume they will be selling it anyway,” he said.

Commenting on the publication of their research, Prof Jacobs told Click the information being disclosed was: “not a guidebook for attacks”.



Copyright © Peter Price 1999–2009.

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